The 2020 Booker Prize longlist announced | The Booker Prizes

Tuesday, July 28th, 2020

20 Booker Prize longlist announced

Source: The 2020 Booker Prize longlist announced | The Booker Prizes

What our clients say about us:

Tuesday, May 19th, 2020

I had been writing my novel for a long time. Like many, I’d been on several creative writing courses, writing retreats, writing weekends (you name it – I’d done it) but still, I couldn’t focus, couldn’t develop my book in the way I wanted to. Eventually I found myself at the (metaphorical) door of the Oxford Editors. They welcomed me. That was the first step. They didn’t make me feel like ‘just another aspiring author’ but someone with potential. Even if I didn’t know it then, that was the beginning of a long path to rebuilding my self confidence as a writer. After months of editing and reviewing pages, talking, listening to advice, drinking coffee, crying, all with my mentor, Cherry Mosteshar, from the Oxford Editors, I can say I have now finished what I feel is a good enough draft to send out to agents. That is down to the Oxford Editors. Without their support I would never have reached this position. They gave good sound advice and weren’t bitchy but also didn’t hold their punches. They were just honest about what they thought. They also didn’t make promises they could never keep. They were upfront about the fact that there is no magic wand. They can’t get you published by using their services. But they can put you in the best possible position to get to where you want to go. Everyone I have met involved with the team are experienced writers and editors so they know the process from both sides and can advise accordingly. I’m so glad I spent my time, money and energy with them and recommend them to each and everyone of you.
Charlotte Green

I wasn’t sure where to go with my middle-grade novel, but I looked at the reviews on the Oxford Editors’ website and felt that this would be a good place to start to get a professional edit. From the start, Cherry was very encouraging and worked in partnership with Amber Hatch to tidy up my plot and make sure my copy read well. This year I managed to find a literary agent, who has shopped the book around and now I have two publishing houses wanting to meet me, and my agent managed to organise a film agent for me too. It all started with making sure my novel was as tidy as it could be.

Shelley Turnbull

I have used the Oxford Editors on two occasions and plan to use them again. I’m learning the craft of writing from dedicated experts, improving the results and enhancing the experience. Cherry Mosteshar encourages the writer while adhering to essential and rigorous fundamentals using proven examples and techniques. Over several years, Cherry has helped with both hard and soft issues that ring louder with time and experience, in particular, how tactical and strategic cuts can invigorate a manuscript. For example, I learned how to focus a more critical eye on verbiage that saps the story’s energy, particularly from the reader’s point of view.

Edward Darenkamp

I know something about editing playscripts. Nothing about how it works for a book. Are You Going to do That Little Jump? began as a couple of paragraphs. Then it was a transcript from a conversation recorded by a friend. That was terrible; it read like a diary kept by a bored inspector of drains. I decided I must try to write it myself. But what was to be the style? I tried writing as I speak; I tried to make it chatty. Other passages came out as rather school-masterish and slightly old-fashioned. I went to a local book shop and listened to a group published authors. They all said ‘GET AN EDITOR!’

I shopped around, with the help of Paul Warrington, the book’s designer and friends, and we found THE OXFORD EDITORS. I had never expected to get so much advice on the structure and ordering of material. On what seemed irrelevant and ought to be dropped. On finding a consistent and rigorous style – not switching from chatty to academic from one paragraph to the next. It’s surprising how hard it is to get used to being `told off’ about the ordering of a piece of writing which is so personal. But you get used to it. And when the outcome is as successful – to judge by the public response – as Are You Going to do That Little Jump? is proving, then thanks and gratitude must go to Oxford Editors for their devoted work.

Got a novel or a memoir in your head or up your sleeve? Then I would recommend running it past the people at Oxford Editors, before you risk launching it into the big wide world.

Robert Gillespie

I have now finished my time with Dennis Hamley. He has sent me an extremely detailed report and we have also had a excellent, highly instructive conversation about certain aspects of the report which I didn’t understand. He has been a remarkable, extremely kind and attentive tutor and I must say I feel very proud to have been his pupil. I feel almost sad that it is all over but I hope that when I have finished the second draft you will put me in touch with him again. I have learned so much and I am thrilled to bits with the whole process of writing a book. Thank you so much! Amazing value for money!!

Joy Willberg

I found Cherry, Mosteshar at The Oxford Editors, to be extremely professional and helpful at all times. Nothing was too much trouble. I’m going back a few years now to a time before I became a published author. A time when I knew very little about writing and how to present my manuscript. Cherry was a huge help and I would recommend their services to any writer just starting out and with little knowledge. I was that person back then, and I learnt so much. Hard work pays off, and to succeed we need to never give up our dream. My reward is that I’m no longer that novice who knew very little about the writing world…I accepted and took on board all the advice and help Cherry gave. I recommend The Oxford Editors to any would be writer starting out.

Caz Greenham author of The Adventures of Eric Seagull ‘Storyteller’ series

I have worked with Oxford Editors for the last 24 months. Specifically, I was lucky enough to have Cherry Mosteshar as my writing mentor where, miraculously, she helped me turn a very ordinary piece of writing into a full manuscript which I am very happy with. The mentorship was a very special relationship where Cherry and I meet frequently working on my writing style and helping me find my authentic writing voice. It has been the most wonderful process where Cherry listened and understood my vision for the work completely. At every stage, I had guidance and support, continuing through the publishing phase. I do not hesitate to recommend working with the Oxford Editors if you value your work as art, and wanting to go beyond the ordinary.

Elise Klein

I used the Oxford Editors for a manuscript assessment. I had to borrow the funds for this on a credit card so I prayed I was in good hands, and not wasting my money. The report I received back from the company was really good. Not good in being complimentary, but more in honesty which is what I wanted. Though they did give me some positive feedback also. Initially I had thought my book was ready for the next stages, but the assessment made me rethink the book in general. It pointed out a few things that needed clarification that I had not done. I have since relooked over the whole manuscript, and taken the advice the company gave me. I now feel a lot more confident about pushing my book to the next stage. Therefore I feel that the report was worth every penny. The communications between myself and Cherry were also very helpful.

Stephanie Markham

I have only praise for the Oxford Editor’s team and Dennis Hamley, the editor assigned to me for a masterful response in assessing and copy-editing my manuscript. As with most authors, I was working against a deadline which had crept up unnoticed on me. This was my first book and I wanted to get an independent assessment of the quality and content of the writing before passing it to my publisher. I also had concerns about the order of some of the chapters as this was a book which mixed history, storytelling and autobiography and I needed to have a balance between the historical and modern aspects of the book. I received, very promptly, an in-depth assessment of my manuscript in which all of my queries and concerns were fully addressed. There were many excellent suggestions on how I could improve the work, especially on bringing all the strands to finality in the final chapters. Once I had completed some changes the book was copy-edited. There were so many things I had not noticed and many subtle changes proposed which made the work that much stronger. This process was a major confidence booster for me because the work was independently assessed by someone unknown to me and in this instance by someone to whom the subject of my book was new. Yes! It was a very worthwhile and valuable exercise.

Richard Kirwan

Please thank my editor very much for her comments: they will be extremely useful, especially the guidance re outline and planning, which I have so far been struggling with. It has been very useful to get a professional opinion in such an easy to read format and it has encouraged me not to go back to the law just yet!


My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
Anton Chekhov

I found the Oxford Editors efficient, helpful and friendly. I needed my 64,000 word manuscript assessed fairly quickly and received a helpful written reply and annotated manuscript three days after emailing it. The suggestions were spot on and very supportive; having incorporated them into my book my editor and publisher here in Australia were delighted with the changes. I have been singing the praises of the Oxford Editors ever since and am looking forward to working with them again.

Gilbert Mane, Sydney, Australia.

Buy Gilbert Mane’s book, 7 Steps to Freedom

I submitted the first 55k words of my novel for assessment, and I got back a 7k document – including excerpts for commentary – with detailed analysis on each chapter, character development, dialogue, process, mediums through which the story develops and such. Chehre opens with a synopsis of her analysis, which I thought was great, and in which she very quickly produced some real insight, both kind and critical, but always constructive.

Richard Galbraith

Buy Richard Galbraith’s book, Concrete Operational

Please convey my thanks to Dennis Hamley for this. His commentary is very full. All criticism is very fair and constructive, while the suggestions excellent. I’m glad he enjoyed the material so much. He’s certainly helped me to understand what I am doing and what I should be doing a lot more clearly.

Nigel Speight, Children’s author

Our authors have been published by a wide range of publishers and taken on my some of the top literary agents in the world. In the last year or so we have had authors we helped published by: Hodder; Pan Macmillain; St Martin’s Press; Yale University Press; Oxford University Press; Harlequin; Hill and Wang; Harvard University Press and many more.

Journey to becoming a writer by Christie Selph

Sunday, February 16th, 2020

Grandma Moses and I….
Like Anna Mary Robertson Moses with her painting, I began writing fiction, later in life. I had an earlier start than she, but tackling novels in my golden years was a challenge which took me nearly a decade to conquer. I will leave it up to you, dear readers, if I’ve been sufficiently successful or not.
Why would I take on such a task? Truthfully, I don’t know. Maybe I wanted to keep my brain active; maybe I needed a new goal. I like to quip that novel writing is profession #17 and that is not much of an exaggeration. What else can a college grad with a double major in English and history who does not want to teach do? So, you test career pathways until you find one that lets you eat something better than hotdogs and beans.
Since I worked in the newspaper business as a teenager, doing all the back-office tasks in my mother’s newspapers, I’ve always liked to write. Though after only a few years of sitting at an editor’s desk, the newspapers were sold to a conservative publisher, a publisher whose politics and mine mixed like proverbial oil and water. Alas, to the unemployment line I went.
I ran art galleries in Europe; wrote grants and travel copy, and when the internet ate my travel agency for breakfast, I put on a real estate hat and told Harriet Homeowner how this new house would be her forever-dream-home. Finally, I only ate hotdogs at the ball park, though my mind craved more.
Writing college essays or newspaper copy is totally different from writing a novel. I didn’t even know how to punctuate dialogue much less compose it! After a few college courses, a slew of how-to books, and the reading of umpteen best sellers, Man Booker, and Pulitzer winners, I stared at the blank page and started a story about an Irish poet who had caught my fancy.

Even I thought it was awful. So back to the keyboard I went. ‘Why not write about something you know?’ I said to myself. And Lorelei Harte, the young girl who dreamed of becoming a journalist, was born.
I love my main character, Lorelei Brennan Winthrop Harte. She is everything I am not, well almost everything… I hope you will love her as much as I and cheer her on as she survives an emotionally abusive mother, leaves a parochial southern peninsular behind, and tests her journalistic wings as she flits from Washington, DC to Greece to Lebanon and lands in Northern Ireland. She triumphs over tragedy, conquers sexism without abandoning her gender, and captures the human side of war. She is as tenacious as Marie Colvin yet she is more than a war correspondent. Her words fight for women’s rights and her columns condemn oppression. She is besieged by the Klu Klux Klan and kidnapped by the Protestants during The Troubles.
My Mermaid Trilogy will be available in e-books February, 2020. Maybe, I’ll have my novels made into audio-books, but right now paperbacks are beyond my budget.
Check out my website please, There’s a discount if you buy all three. Let me know how you like: The Siren of Loreley Rock, The Mermaid Hunters, and The Merrow’s Red Cap. I want to hear from you. I think conversations between a writer and her readers benefits us all especially when you are a new writer like me. I have two more drafts I’m working on, or I may do a spin off and write about Lorelei’s lover, John Carlton. He’s “damaged goods”, you know.

Christie Selph
Anyone who writes knows it’s a solitary vocation. A former fifth generation Washingtonian, I spend my time in Puerto Vallarta, Mexico, overlooking the Pacific and in places around the world, I have been fortunate to visit or have an inkling to see. Maybe our paths will cross or even better come for a visit and share a Margarita and a sunset with me. I like mine with salt and a splash of Grand Mariner.



The Hare Trilogy: By our very own Dennis Hamley

Monday, December 2nd, 2019

A most moving and sensitive animal fantasy.’

Richard Adams, author of Watership Down.



‘Things aren’t untrue just because they never happened.’



Hare’s Choice, Badger’s Fate, Hawk’s Vision


Dennis Hamley




The Hare Trilogy is an omnibus edition of three short novels for children, first published by Andre Deutsch and Scholastic between 1988 and 1993. They were aimed mainly at children between the ages of 8 to 13. I think they are the best things I have ever written.


They are not intended for children only. They are a meditation at an adult level asking the questions, ‘What is truth? Can stories be ‘true? If so, how?’’


The last thirty years have been crucial for education. The Hare Trilogy now reads like a manifesto, pitting primary schools then against primary schools now, asking what is lost, whether the values which replace it are better and coming to a decisive answer.

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100 Best books you have to read before you die.

Sunday, December 1st, 2019

Cherry Mosteshar, our Director, adds Françoise Sagan’s Bonjour Tristesse